Tag Archives: Roger Ebert’s Favorites

The Maltese Falcon (1941)

When I was a kid, I remember feeling torn about old movies – and by that I mean Classical Hollywood-era movies.  I liked a fair amount of the musicals and family films, but for the most part, I just found old movies to be too boring.  When I tried watching Casablanca, I wasn’t just bored – … Continue reading The Maltese Falcon (1941)

Dracula (1931) Review

This is a fun one, folks.  Scary?  On occasion, but it’s mostly just bizarre.  It’s just strange watching one of the first sound horror films because it’s difficult to tell how I’m supposed to react to each scene – I don’t know what’s supposed to be chilling, what’s supposed to be funny, and what’s supposed … Continue reading Dracula (1931) Review

Sunset Boulevard Review

Every now and again, I’m quite surprised which members of my family decide to sit down by the TV and join me in watching a movie that I wouldn’t think is his/her kind of thing.  This happened most recently when I was spending a weekend at my parents’ house and I put Sunset Boulevard on the big … Continue reading Sunset Boulevard Review

Laura Review

MINOR SPOILER WARNING While the exact list of what constitutes a “film noir” is always up for debate, I argue that one of the most under-recognized criteria is that weird and seemingly random moment that has the audience asking, “Where the heck did that come from?”  This film clearly checks that box. Structurally, Laura is not too unconventional, … Continue reading Laura Review

The Third Man Review

Have you ever seen one of those movies that pulls such a clever trick on you with its slick, surprising writing that you just sit back, swallow your pride, and give it a nice, slow clap? This is The Third Man, which is one of those odd films known as a “British Noir.”  It’s within the … Continue reading The Third Man Review

Fantasia Review

As a film student who’s grown tired of hearing that “film is a visual medium,” there’s something quite refreshing about seeing a film that is famous for its visual achievements, yet serves as a great example of how sound can drive storytelling.  The way that Disney and his team turned ballets and symphonies that could … Continue reading Fantasia Review

Top Hat Review

This film was not what I expected it to be, and yet it was only what I expected it to be.  There are some dance numbers in here that are very nice and impressive, and that feel like what I would expect from this duo, but only one or two, and I had already seen … Continue reading Top Hat Review