Tag Archives: 1940s Movie Reviews

Murder, My Sweet Review

There’s a lot to like about this movie – the characters, the dialogue, the visuals, and many of the scenes.  A lot of the story, from what I can tell, is good too … but I can’t tell.  And therein lies the problem. Film noirs (or “films noir” for more proper writers than I) are … Continue reading Murder, My Sweet Review

Notorious (1946) Review

It took me a while to recognize the fact that this film is great.  Part of that’s a side effect from the fact that this film is one of Hitchcock’s somewhat lesser-known works – it’s hard to get a good copy of it on DVD with good sound quality, so I had a hard time … Continue reading Notorious (1946) Review

The Maltese Falcon (1941)

When I was a kid, I remember feeling torn about old movies – and by that I mean Classical Hollywood-era movies.  I liked a fair amount of the musicals and family films, but for the most part, I just found old movies to be too boring.  When I tried watching Casablanca, I wasn’t just bored – … Continue reading The Maltese Falcon (1941)

Laura Review

MINOR SPOILER WARNING While the exact list of what constitutes a “film noir” is always up for debate, I argue that one of the most under-recognized criteria is that weird and seemingly random moment that has the audience asking, “Where the heck did that come from?”  This film clearly checks that box. Structurally, Laura is not too unconventional, … Continue reading Laura Review

The Third Man Review

Have you ever seen one of those movies that pulls such a clever trick on you with its slick, surprising writing that you just sit back, swallow your pride, and give it a nice, slow clap? This is The Third Man, which is one of those odd films known as a “British Noir.”  It’s within the … Continue reading The Third Man Review

Fantasia Review

As a film student who’s grown tired of hearing that “film is a visual medium,” there’s something quite refreshing about seeing a film that is famous for its visual achievements, yet serves as a great example of how sound can drive storytelling.  The way that Disney and his team turned ballets and symphonies that could … Continue reading Fantasia Review

Key Largo Review

This film is essentially “Film Noir’s Greatest Hits.”  It has Humphrey Bogart and Lauren Bacall in leading roles, sharing the spotlight with a wealthy mob boss played in the most Edward-G.-Robinsony way possible by none other than Edward G. Robinson.  In a supporting role is Claire Trevor of Murder, My Sweet and Raw Deal, and one of Robinson’s main gangsters … Continue reading Key Largo Review