JD's Recommended Viewing

Phantom of the Paradise Review

May 23, 2016 by JD Hansel

Whoops. I only meant to watch the first few minutes of the movie before going to bed, so I wonder, how did I end up staying awake into the middle of the night to finish it? Oops. I meant to return it to the library after I watched it, and yet somehow it stayed in my computer with PowerDVD running different scenes from it everyday, which I accidentally kept watching. Oh, poopy – I had other music I meant to listen to, so why have I been listening to this soundtrack so much over the past month? Uh oh, it looks like a Blu-Ray copy of this movie somehow became a priority on my birthday wishlist, even though I had more important needs than another Blu-Ray for my collection. Crap! I wasn’t supposed to be happy that I actually got the Blu-Ray for my birthday instead of an external hard drive!

And to think, horror isn’t really a genre I go for, so I wasn’t even supposed to like this very much. Whoops-a-daisy. By gosh, it sure is amazing what mistakes can be made because of something nearly flawless.

But seriously folks, I can see the movie’s mistakes. I see the inconsistency in the camera quality, and the continuity errors with the Phantom’s makeup. I can tell that the editing isn’t always entirely professional, like when it accidentally indicates that Phoenix has noticed a gun, even though she hasn’t. Somehow, I find these little blemishes to make the movie a little more human, and to make it all the more fun. It is no surprise that this is a ’70s cult classic. It’s a movie I’ve been meaning to see for a while since Paul Williams is always talking about it, and I’m a big fan of his, but I just wish I’d realized that I needed to see it sooner so I could immediately start preaching the good new of Phantom of the Paradise to all the world. I can’t help but feel as though this ignorance was a big mistake on my part.

Whoops.

(Monty Python’s) Life of Brian Review

June 2, 2015 by JD Hansel

This film is not sacrilegious. This film is not about Jesus. It is about the importance of rationally thinking for oneself rather than just accepting what others say is true. It mocks group think, pokes fun at activists, and challenges people to be critical thinkers, making it very much the skeptic’s film. In fact, Pythoner John Cleese has said that a number of Christians have told him how much they enjoyed the film, because they understood that making fun of religion is not the point. Cleese has also gone on record saying that he has always thought Life of Brian would be considered the best Python film ever made, but I have to ask myself, would I say such a thing? Well, let’s analyze the story, characters, and comedy, comparing it to what has been my favorite of the Python productions, Holy Grail.

In terms of story, Brian works better. Its story has far more structure to it, and the plot is more conflict driven, with a narrative that would work well even if it was not a comedy piece. The pace is actually a little slow, but it’s still a very interesting story on the whole. The main character, Brian, has much more reality than King Arthur, making for more investment in a relatable character. This also lends itself to a great comedic situation as Brian is a voice of reason in a world of lunatics, and no one really listens to him. Also, the supporting characters are fun, will-written, and performed excellently, but this film is still not as fun or funny as I had hoped.

There was little to make me fall out of my chair laughing, but most of the movie did manage to put a smile on my face or get a chuckle out of me. Part of the problem was the culture-specific jokes throughout, such as the parody of the British political activist groups at the time, and the jokes based on the Pythoners’ mutual experience with learning Latin in school – something that is not as common in the US. In a way, the film is more of a tragicomedy than a comedy, largely because the audience cares a bit too much for Brian to be okay with his suffering (or at least I did). I tend to be very empathetic concerning movie characters I like, so I was legitimately happy when Brian was happy, but in turn, some of what he dealt with was hard to watch. Particularly the stupid people who didn’t really listen to him no matter how well he communicated – I knew I was supposed to laugh, and I suppose I did some, but I couldn’t help but empathize with his misery too much.

Comedy is a tricky thing since it requires keeping people interested in what the characters endure without letting them get too invested. So, in the end, I do not find Life of Brian to be their funniest film. I do, however, think it’s Monty Python’s most important film. I cannot help but respect this movie immensely for making a piece that helps us see why we must be critical thinkers, while making us smile at giggle at the same time. This film serves as a perfect example of how to make a message movie: its focus is on a strong character in an interesting situation; it makes it clear that this is not our world, but rather an absurd variation on our world; it is not at all preachy, but instead puts fun first; the audience is left smiling, but still thinking about the nature of humanity.

For this reason, I highly recommend the film to everyone, because in a way, it may be Monty Python’s finest achievement. (Not to mention, “Bright Side” is pretty great.)

P.S. My next movie review concerns another message movie that needed to learn a lesson or two from Life of Brian, so stay tuned . . . .

Ever After Review

May 8, 2015 by JD Hansel

Do you know how often I give a movie four and a half stars? I’ve done over 50 movie reviews and I only gave such a rating to two of them … but today you can make that three. To be honest, I probably should have given this rating to a couple other really good movies I’ve reviewed, such as Annie Hall, but I really wanted to save such a high number for the absolute best of the best. For this reason, it is odd that I would choose to give this rating to a film that stars one of my least favorite actors in the lead role. (What, you don’t see why I don’t like Drew Barrymore? I can’t really explain it, but I find her voice pretty annoying, and the roles she plays are often the kind of characters that seem like they were written just to bug me.)

Here’s the thing: that’s pretty much the movie’s only flaw. Everything else, from the story to the dialogue to the performances to the visuals to the music, was done right. The world of the film is enchanting, the characters are delightful, and the story manages to capture all of the best elements of the story upon which it is based, Cinderella, while carefully adjusting what does not hold up. The story of “Cinderella” is a timeless one, which means it does not need an update unless something extra special will be added. Rather than adding anything too terribly brilliant or different, this film adds the basic thing that “Cinderella” lacked – a love story that’s actually a love story. And it’s a good love story at that.

The movie owes much of its success to the main character, and while I think it was the writing that made the character great, Barrymore’s performance was really not bad. The character could have been ruined by someone who lacked talent, but Barrymore’s acting talent allowed for the character to shine through in exactly the way it needed to, making aCinderella that the audience really cares about. It helped that she was doing an accent, but what really helped was the way the dialogue was written. It was done in such a way that the character is strong, smart, independent, and brave, without seeming like an annoying know-it-all. This is a fine example of the type of character I would like to see more often in cinema.

If I may note one other thing, and I do believe this is key, I think it helps to have the writer be the director, or at least have some additional control over the project so his/her vision gets across. Many of the other movie’s I’ve reviewed that I enjoyed the most had Woody Allen as both the writer and the director, or at the very least as both writer and star. Planes, Trains, and Automobiles came very close to getting four and a half stars out of me, and Silver Linings Playbook succeeded in doing so. Both of those had the writer direct as well. Perhaps this is just the wishful thinking of a screenwriting control freak, but I want to see this become common practice.

Shaun of the Dead Review

August 17, 2014 by JD Hansel

I generally don’t like comedies that are filled with bloody violence, but after seeing the second movie in the Three Flavours Cornetto Trilogy, Hot Fuzz, I had to see the first, Shaun of the Dead. Don’t think the blood didn’t bother me – I covered my eyes an awful lot. However, the writing, directing, cinematography, acting, makeup, and effects, were all very good. Several shots in the movie impressed me, as well as the jokes and foreshadowing. Sadly, I am not familiar enough with the cliches in this genre to understand all the things that this film parodies, but the film is still pretty funny.

While I don’t think that this movie was quite as fun for me as Hot Fuzz, I would recommend it to anyone who enjoys zombies or dark comedies.

Hot Fuzz Review

August 5, 2014 by JD Hansel

I did not think that Hot Fuzz was my kind of comedy at all before I watched it, mostly because it seemed like just another one of those crude comedies that are filled with blood, extreme profanities, and anything else they could throw in to get the stupid college kids interested. While to some small degree that may be true of this film (mostly just the bloody humor) this film was a pleasantly intelligent surprise. This parody of action movies is the second installment of the Three Flavours Cornetto trilogy, and it is focused on an excellent police officer in London who is making the other officers look bad, so he is sent to do police work in a small village with no crime. The village seems completely peaceful at first, but Constable Angel starts to suspect that the seemingly-accidental recent deaths of certain residents are actually connected murders.

While the film has a bit more blood and gore than I generally like, it makes up for that with scenes like the Romeo and Juliet scene, which I think is one of the funniest scenes I’ve seen in a comedy from the time period in which this movie was made. It also is a very impressive action/mystery movie, with writing that carefully weaves together a brilliant plot that ties everything together, and makes every line of dialogue count. Lines that seem completely insignificant all come back in the end, and really, the audience is being set up the whole time. It’s really brilliantly written and performed very well. If you like British satires, or if you like action movies, you’ll probably find something about Hot Fuzz to enjoy.

Amelie Review

August 2, 2014 by JD Hansel

For those of you who’ve never heard of it, Amélie is the 2001 French film that inspired the Travelocity commercials featuring the garden gnome. It’s about a young woman whose life seems rather empty, so she starts trying to do good deeds to make the world a better place. It’s all in French, so you’ll have to watch it with subtitles if you don’t speak that language, and since I never ever watch movies for which I must do that, I was interested in giving it a try. I’m glad that I did, because it was quite an experience.

Naturally, a concept for a film like the concept I described would make one question if the story is any good, but it actually is quite clever. It all builds well and interconnects, keeping the audience interested and providing a satisfying ending. What’s neat about it is its unique and bizarre style, with artistic special effects used throughout in a way that no American comedy would try. If you appreciate very strange and weird comedies, or different approaches to film-making, I think you’ll really like this film. It’s certainly done very well.