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J.D. Hansel

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2013

This Is the End Review

June 27, 2016 by JD Hansel

I watched this film on my last night as a teenager because it seemed like a fun way to mark the end of an era, but it ended up reminding me of the end of a different era.  Once upon a time, people made outrageous comedy films that broke new grounds of absurd, all without relying on needless expletives and gratuitous violence to keep the viewers’ attention.  Duck Soup, Airplane, Monty Python and the Holy Grail, Young Frankenstein, Gremlins 2, Sleeper, Seven Day Week, The Naked Gun, Little Shop of Horrors (1986), Silent Movie, Beetlejuice, CLUE, and of course The Muppet Movie are among the classic comedies that have impressed me by relying on unfathomable absurdity, stupidity, and impossibility to keep the audience entertained, rather than jokes about coke and rape and Michael Cera’s CGI butt-cheeks.  Sure, plenty of the movies I listed above have jokes that get rather dirty, and some of them have a bit of language from which I prefer to refrain, but these are secondary to the inherent toony lunacy of the worlds they present.  The fact that this movie starts off very realistically, creating the sense that what we’re seeing is meant to be taken as our world, puts the filmmakers in a corner from the onset by forcing them to make light of a situation they made serious.

Think about this: the world ending isn’t a silly concept.  The world ending at the hands of a singing plant is a silly concept, and the world ending from an attack by a giant boob is a silly concept, and even the world ending because the U.S. accidentally lets a bomb get dropped on Russia is a silly concept.  What’s the difference?  It starts with the fact that these are the kinds of ideas that leave people dying to know how in blazes the filmmakers handled them.  They’re weird ideas, and they’re hard to wrap one’s mind around.  However, I do think that the concept of the world ending because … it’s just the end of the world, in a biblical style, could lend itself to lots of great comedy.  The primary problem standing in the way of this is what I mentioned above – the weed of realism is choking the fun out of cinema, and it breaks my heart.  All that being said, even though this film is very much in the genre of “just scream profanities” comedy, it has its fair share of clever moments.  At the very least I’m impressed with the filmmakers’ ability to get a feminist icon to take part in a scene that essentially boils down to a rape joke (the audio commentary says their goal was to “make it rapey; make that the joke”) which I find ethically unsettling, but still artistically impressive in a mildly evil sense.  Given the nature of the beast, it is a surprise that the movie is as clever, creative, and respectable as it is, so I’d give it a passing grade.

120 This Is the End

Filed Under: Film Criticism, New Movie Reviews Tagged With: 2010s Movie Reviews, 2013, Dark Comedy, R, Three Stars

American Hustle Review

January 23, 2016 by JD Hansel

I love my local library.  Its one problem is that I like it too much, so whenever I go in for just a short stop, I end up spending at least half an hour there.  Once I’m lost in the DVD section, there is only but one escape, and it is very rare: I have to find the movie that calls my name.  I need to hear the triumphant sound of the movie that is exactly what I need to watch that night, and it can take ages to succeed at such a quest.  One night, however, I found it – the movie that I had been longing to see for ages, and I could sense that it was finally time.  American Hustle had Jeff Lynne’s music all over it, which already gives it a leg up in the race to my top 50 favorite movies.  On top of that, the film stars actors that I like, and it’s written and directed by David O. Russell, whose film Silver Linings Playbook holds a very special place in my heart.  However, I had just heard that his new release, Joy, is a disappointment, so I hoped and prayed that this movie would be reminiscent of the previous film and not the latter.  Alas, it would seem God woke up on the wrong side of the bed that day, because American Hustle completely fell flat for me – and I’m starting to think I must not be in on the secret to enjoying it.

At this time of year, everyone’s talking about awards ceremonies that I don’t like.  We’ve seen time after time that the elite overlords behind such ceremonies, particularly the Academy, tend to embarrass themselves by making obviously nonsensical decisions.  The Oscars are being frowned upon right now for their lack of diversity among nominees, but they’ve been dropping the ball ever since they neglected to award Citizen Kane for Best Picture in favor of some flick called How Green Was My Valley.  They were mocked in 1979 for giving Best Original Song to “It Goes Like It Goes” – a song that was considered forgettable even at the time, let alone decades in the future – instead of the more obvious choice: “The Rainbow Connection.”  Don’t even get me started on The Lego Movie.  With my disdain for such inane awards as the Oscars, the Golden Globes, and the Grammy Awards, I have been greatly pleased by an excellent joke of Conan O’Brien’s that’s been trending: “At last night’s Golden Globes, the movie ‘The Martian’ won for Best Comedy or Musical.  In a related story, the Golden Globes won the prize for ‘Best Cop Drama or Best Latin Gospel Album.'”  The nominations have really never made much sense, but the most mind-boggling of them all is the notion that American Hustle is a great comedy.  I don’t see how it can be considered a great comedy when I honestly was unaware that it was a comedy until well after I’d finished watching it.

It’s no surprise that I had to look up the movie online to learn that it was a comedy (and learn why people found it enjoyable) if I consider the brutally realistic style.  The comedy of the film fluctuates between muted colors of humor that offer no punches, or harshness that goes far over the top in all the wrong directions.  I’ll address the hard-hitting humor first, and then I’ll spend a little longer on the weak humor.  There is a scene between Bradlee Cooper and Not Funny Louis C- nope.  I can’t finish typing it; it’s just too depressing to think of Louis C. K. as unfunny.  In short, he savagely beats Louis over the head with a telephone, and the scene uses awkward editing in an attempt to make the unwarranted violent abuse comical.  The problem, of course, is that it’s not over-the-top enough to be funny – there is no indication in the scene, to my memory at least, that this is not meant to be taken seriously.  I was watching an ugly beating, so I felt bad for the victim – and empathetic investment is the enemy of comedy.

In my searches through the inter-webs for why people got a laugh out of this film, I found very, very few reasons given, even though its description on Rotten Tomatoes starts with the words “Riotously funny….”  One of the few jokes cited as a source of enjoyability was Cooper’s silly haircut.  Because this film is a period piece about the ’70s, a stupid haircut is merely an inevitable part of making the movie feel realistic, so I’ll need something better than that to come even close to a smile.  As I thought back on it, I recalled another scene that was an attempt at humor.  It’s pretty simple: Unattractive Jennifer La- no, I can’t bring myself to say that either, so let’s just say “the wife” swears in front of her little boy, and the little boy repeats the profanity in a way that’s accidentally quite offensive.  Ladies and gentlemen, prepare to read the words that I, J. D. Hansel, never imagined would be written about an iconic Oscar winner, but here they are: Anchorman 2 did this joke better.  That, my friends, is a travesty.

Let’s take another look at Jennifer Lawrence’s character.  She reminds me of “the pen squeaker.”  Yes, I’m talking about that guy in high school who had that pen which happened to make an annoying squeaking sound when it was twisted, and he would twist it frequently just to bug people.  If the intent was to annoy the girls sitting directly in front of the squeaker, I really enjoyed watching the pen squeaker make them squirm and yell for no good reason, but if the intent was to annoy me, it was not enjoyable in the least.  So I suspect that, if the audience understands that how much of an annoyance Lawrence is to everyone else is supposed to be funny , then the audience enjoys her, but personally, I felt like I was the victim of her excruciating irritability.  While Lawrence did play the character perfectly, the character will always stand out to me as a horrible reminder of how annoying my little siblings are when they scream and fuss all day.  I spent the last third of the film hoping that someone would just punch her out to end it all, but no such consolation was offered.

This is, in my view, one of the most overrated films of all time, right alongside Cabaret, but there are elements of it that I like.  The soundtrack is, as I expected, quite excellent.  Jeff Lynne’s contributions are naturally strong, but the other songs are really fun too.  The actors are clearly giving these performances their all, and they succeed at making me believe in their characters.  As far as cinematography goes, it would seem as through Russell found an Instagram filter for “Oscar bait” and used it for the entirety of the film, but within the constraints of the Oscar bait look, it is shot and edited well.  The best part, however, is the ending.  While I will not reveal all of the details, it’s nice to see that there was, in fact, an interesting and clever hustle being set up this whole time that makes the movie feel more purposeful.

However, for me it always boils down to the characters, the world, and the story.  If those three elements work together just right, it’s a great movie; if one of those elements is off, particularly the first, then we have a problem.  This movie did not work for me because the world felt too real for anything to pop, the story felt too unfocused and messy for it to hold my attention, and the characters made me want to run over the DVD with my car.  In the few days since I watched it, I’ve already forgotten much of the story, and I really don’t know how matters of such little importance took up so much screen time.  This movie is not so much about telling a good story as it is about showing off impressive directorial skills and a brilliant cast, making it such a narcissistic piece that I couldn’t help but roll my eyes even if they were sewn in place.   I am not surprised if people who appreciate films very differently than I do find themselves enjoying American Hustle, but for a film of this nature, one can only look at what it offers to each individual, and for me, it didn’t offer nearly enough.

89 American Hustle

Filed Under: Film Criticism, New Movie Reviews Tagged With: 2010s Movie Reviews, 2013, Dramedy, R, Two Stars

Anchorman 2 Review

September 12, 2015 by JD Hansel

I oddly don’t know what to say about this film.  Parts of it were funny, and nearly all of it was strangely fun, although I’m generally not a fan of the brand of humor Ferrell and Carrell tend to do.  In the first Anchorman movie, there was just something about the film’s “devil may care” attitude with doing whatever felt fun, no matter how little sense it made, that gave it a bizarre charm; there is still some of that present in this one.  The simple problem is that the movie has a classic case of “sequelitis”: it can’t emulate its predecessor without rehashing old material, and it can’t do anything new without diverging from whatever worked well for the first film.  This “sequelitis” really makes this a much weaker movie – although the first wasn’t exactly the greatest comedy of all time – but I still basically enjoyed watching it.  I knew going in that I wasn’t about to see anything brilliant, so when something legitimately clever and entertaining happened, I experienced the benefits of living by Great Grandpa Hansel’s old mantra: “Expect nothing and you’ll never be disappointed.”  In some ways Anchorman 2 may be underwhelming, and sometimes it feels like the whole thing is forced, but the characters and story are generally fascinating enough to keep me invested, so I’m satisfied.

73 Anchorman 2

Filed Under: Film Criticism, New Movie Reviews Tagged With: 2010s Movie Reviews, 2013, criticism, film, jd hansel, Movie review, PG-13, review, Three Stars

Carrie (2013) Review

July 17, 2015 by JD Hansel

I have extremely high standards for the handling of this particular story, even though I haven’t read the book, or even seen the 1976 classic.  What I have seen is a theatrical production of the musical based on the book, which was performed a couple years ago at a nearby community college.  That performance was one of the most amazing experiences of my life, and it is that show, along with the Broadway production of The Lion King and the StarKid musical Twisted, which makes me fear that I may never be moved by a film in the way I have been moved by musicals on stage.  I now must compare a film with a rating of 48% on Rotten Tomatoes with one of the most moving moments of my life.

Amazingly, this movie was just what the story needed.

In all honesty, here is what went through my mind as I watched it: from the moment Carrie drops into her school’s swimming pool, we are plunged into a pool of fiery pressure, where we must quietly wade as the gates of Hell creak in the distance.  We know it’s only a matter of time before Hell breaks loose, so we watch anxiously to see which flame will be the one to push open the gates, allowing the fire to consume us all.  But that’s not the scary part; the horror is in our powerlessness to do a thing about it.

So what is this fire?  That’s simple.

High school.

I have absolutely no interest in the average horror film, which tries to make what’s on the screen terrifying.  I have no patience for a film that flashes scary images on screen or makes me anxious about a fictitious terror.  (I already have to deal with plenty of fear in my real life, so I don’t need anymore of it in my entertainment unless it’s really worth it.)  What excites me is a film that makes me detest reality and fear life itself.  To do this, one must capture the essence of powerlessness, and high school is the perfect setting for achieving such a thing.  The scenes that show the inadequacy of the school principal, the misguided punishments enforced by the gym teacher, the subtle mockery provided by the English teacher, and the overall inability of the school system to handle abused students are the ones that have a lasting sting and send shivers.

The scenes with Carrie’s mother truly strike fear and rage into my heart, since I know that similar households could easily exist perpetually without anyone ever raising an eyebrow.  The portrayal of the mother, in my view, is spot on, making me cringe and nearly scream.  It is that particular character that stirred me up in a way few other characters in film have before, particularly with her relentless superstitious attribution, forcing the world to meet her particular worldview just so that she can process it.  That is perhaps the most despicable element of religion, and it brings to mind the philosophical question of Sam Harris’, “If someone doesn’t value logic, what logical argument could you provide to show the importance of logic?”  The line in this movie that really sticks out to me is when Carrie retorts some of her mother’s nonsense by saying, “That’s not even in the Bible!  It doesn’t say that anywhere!”  There are thousands, or maybe millions, who similarly display vehement dedication to their own imaginary edition of the Bible that happens to conform perfectly to their worldview, and this film is a delightfully horrifying reminder.

This story can be, when done right, a masterpiece in cynicism and disgust.  I think it ought to be contrasted to Disney’s Tomorrowland, largely because Carrie‘s strength is Tomorrowland‘s weakness – the resemblance to reality.  When one considers the much beloved 1976 Carrie movie, which I must confess I analyze based on the trailer alone, it seems to have a surreal, theatrical, otherworldly style.  Generally, this is the style I greatly prefer in film, and I think that the ’70s film has shots in it with an an outstandingly fantastic look . . . just not for this story.  I can’t look at a very ’70s movie about a girl with a goofy accent and take it seriously, especially if it goes so far as to cast John Travolta as the highschool hunk, which just sounds like a parody of ’70s movies (although casting Ansel Elgort may be the modern equivalent).  Frankly, the trailer to the 1976 film makes me laugh, which is exactly what should not happen.  This story must be portrayed as close to reality as possible, which does not become the issue it did with Tomorrowland since it’s so obviously a fantasy story.

The movie has the same Tomorrowland-like goal of shouting its message to the world, but it does so by bluntly displaying our society’s detestable ugliness.  This, in turn, makes it beautiful.  As a visual experience, it’s just fine (even though it’s not my style).  As a story though, it is stunningly gorgeous, with a build up that screeches with the scraping of Hell’s gates pushing against the floor in fractions of a centimeter, expelling “nails on a blackboard” from the phrasebook, only to reach an immensely satisfying conclusion to drive its point home.  It boldly declares to everyone, “Your world is so miserably broken that only so much as one little tweak to the laws of nature could end hundreds of lives and destroy cities.

“Fix it.”

63 Carrie (2013)

Filed Under: Film Criticism, New Movie Reviews Tagged With: 2010s Movie Reviews, 2013, Carrie, Four and a Half Stars, Halloween Movie, Horror, R, Stephen King

Gravity Review

August 2, 2014 by JD Hansel

When I first saw the trailer for Gravity, I must say that I was impressed.  It was clear that the movie had excellent lighting, keying effects, and cinematography.  However, my fear was that the movie would turn out to be rather boring because it might lack character interaction and development of relationships.  Unfortunately, I was correct in thinking that way.  I think that people who enjoy movies that are good from a technical standpoint will love this movie, and those who like dramas, or who like the main actors in it, will probably like Gravity a lot too.  I, however, found the movie to be slow, not very interesting or exciting, sometimes predictable, and often annoying.  There was one part of the story that was really starting to get me interested and excited, but the moment that part began, the movie ended.  That kind of infuriated me, so as much as I respect the film’s technical achievements, I have to say that it just didn’t do it for me.

11 Gravity

Filed Under: Film Criticism, Tumblr Movie Reviews Tagged With: 2010s Movie Reviews, 2013, Art Film, PG-13, Sci-Fi, Three Stars

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