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Pre-Code

Horse Feathers Review

January 20, 2018 by JD Hansel

My main problem with Marx Brothers films, with the exception of Duck Soup, is that they are not Duck Soup.  When it comes to film comedy, that movie pretty much sets the bar for me.  I’m not sure why Duck Soup works – it feels like it shouldn’t – but it does.  Maybe it’s just one of those “lightning in a bottle” things.  Consequently, Horse Feathers isn’t everything I might hope for, but fortunately, it’s pretty darn close.

This is a good movie for college students to see.  It offers some catharsis in this crazy phase of life to think that maybe the reason why everyone at your university hates the administration is that the president is a bozo like Groucho.  With as many comedy films have taken on academia, it still hasn’t gotten as much spoofing as it deserves, so it’s nice to see the Marx Brothers take on the subject.  It’s also not one of those Marx Brothers films that tries to shove a serious romantic plot into the film alongside the Marx antics, so it’s light on the boring scenes.  It’s one of those films that I’d like to have on in the background at parties – it’s something fun that I could watch over and over again, but I don’t feel like I lose much if I don’t pay attention to the plot.  It’s more about the lunacy of the characters and the highly hilarious (albeit very stupid) jokes, which are all I need to have a really fun movie night.

Filed Under: Film Criticism, New Movie Reviews Tagged With: 1930s Movie Reviews, 1932, Comedy Classics, Four Stars, Groucho Marx, JD's Favorite Movies, JD's Recommended Viewing, Marx Brothers, Musical, NR, Pre-Code

The Cabinet of Dr. Caligari Review

December 2, 2016 by JD Hansel

It’s rare for me to see a film with a plot as difficult to follow as this one.  Even though I searched online for plot descriptions to help me out, I got lost during many parts of the film, which might be a sign of bad filmmaking, but might just mean part of the film is missing.  Fortunately, this movie isn’t so much about plot as it is about visuals, moods, moments, characters, realizations, and experiences.  It has a visual style that many films have emulated, but not nearly enough, and depending on the score that accompanies it, it can be a totally wild experience (right down to the inter-titles).  I certainly have my issues with the film – it’s really rather boring at times, and I’m not wild about much of the confusing storyline – but when critics all over the world praise and hail this film as a gem of cinema, I have to agree.  The reason why I have to agree is that I am forever in this film’s debt for offering cinema the kind of theatrical style that I adore, and that alone makes it one of the greatest contributions to the history of film.

In the future, though, let’s try to make German Expressionist visuals that don’t use that annoying yellow tint for half the film, okay?

159-the-cabinet-of-dr-caligari

Filed Under: Film Criticism, New Movie Reviews Tagged With: 1920, 1920s Movie Reviews, Essential Classics, Expressionism, Foreign, Four Stars, German, Halloween Movie, Horror, NR, Pre-Code, Roger Ebert's "Great Movies", Roger Ebert's Favorites, Silent

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